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https://w.atwiki.jp/soundcreate/pages/13.html
『Sound Create』 2009年10月10日【未来祭2009】にて頒布開始。*頒布終了 収録楽曲 トラック タイトル 作曲者 01 Intro U.M.A. 02 フローライト・パレス Ponta 03 Skip to Air 11 04 鬼ごっこ Damian 05 十六夜円舞曲 11 06 虹 technotatsuya 07 [ES.PS.No.] U.M.A. 08 greenshower Ponta Mastering Engineer U.M.A. Jacket Illustration Damian
https://w.atwiki.jp/rothing/pages/65.html
California Love California...knows how to party California...knows how to party In the citaaay of L.A. In the citaaay of good ol Watts In the citaaay, the city of Compton We keep it rockin! We keep it rockin! [Dr.Dre] Now let me welcome everybody to the wild, wild west A state that s untouchable like Elliot Ness The track hits ya eardrum like a slug to ya chest Pack a vest for your Jimmy in the city of sex We in that sunshine state with a bomb ass hemp beat the state where ya never find a dance floor empty And pimps be on a mission for them greens lean mean money-makin-machines servin fiends I been in the game for ten years makin rap tunes ever since honeys was wearin sassoon Now it s 95 and they clock me and watch me Diamonds shinin lookin like I robbed Liberace It s all good, from Diego to tha Bay Your city is tha bomb if your city makin pay Throw up a finger if ya feel the same way Dre puttin it down for Californ-i-a California...knows how to party California...knows how to party In the citaaay of L.A. In the citaaay of good ol Watts In the citaaay, the city of Compton We keep it rockin! We keep it rockin! Shake it shake it baby Shake it shake it baby Shake it shake it mama Shake it Cali Shake it shake it baby Shake it shake it shake it shake it... [2Pac] Out on bail fresh outta jail California dreamin Soon as I stepped on the scene I m hearin hoochies screamin Fiendin for money and alcohol the life of a west side playa where cowards die Only in Cali where we riot now rallies are live and die In L.A. we wearin Chucks not Ballies (that s right) Dressed in Locs and khaki suits and ride is what we do Flossin but have caution we collide with other crews Famous cause we program worldwide Let em recognize from Longbeach to Rosecrans Bumpin and grindin like a slow jam, it s west side So you know the row won t bow down to no man Say what you say But give me that bomb beat from Dre Let me serenade the streets of L.A. From Oakland to Sacktown The Bay Area and back down Cali is where they put they mack down Give me love! California...knows how to party California...knows how to party In the citaaay of L.A. In the citaaay of good ol Watts In the citaaay, the city of Compton We keep it rockin! We keep it rockin! [Dr.Dre] now make it shake... Shake it shake it baby Shake it shake it baby Shake it shake it mama Shake it Cali Shake it shake it baby Shake it shake it shake it shake it... uh, yeah, uh, longbeach in tha house, uh yeah Oaktown, Oakland definately in tha house hahaha Frisko, Frisko [2Pac] hey, you know LA is up in this Pasadina, where you at yeah, Ingelwood, Ingelwood always up to no good [2Pac] even Hollywood tryin to get a piece baby Sacramento, sacramento where ya at? yeah Throw it up y all, throw it up, Throw it up Let s show these fools how we do this on that west side Cause you and I know it s tha best side yeah, That s riight west coast, west coast uh, California Love California Love 2Pac 【 - 】
https://w.atwiki.jp/mainichi-matome/pages/2078.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Fetid food factory requires Pied Piper's services悪臭漂う食品工場にはハメルンの笛吹きサービスが必要だ 拡散状況 関連ページ Fetid food factory requires Pied Piper s services 悪臭漂う食品工場にはハメルンの笛吹きサービスが必要だ 2007,05,25 Fetid food factory requires Pied Piper s services Uramono Japan (June) By Masuo Kamiyama 2007,05,25 悪臭漂う食品工場にはハメルンの笛吹きサービスが必要だ 裏モノジャパン（6月号） By カミヤママスオ Back in early February -- just around the season when Japan s gals were procuring sweets to convey their amorous intentions to their male sweeties -- the boom was lowered on Fujiya. The famous old confectioner, it was revealed, had played loose with the expiration dates on the ingredients in its eclairs, cream puffs and other baked goods. And a string of subsequent revelations made it clear some of Fujiya s facilities were also less than meticulous in terms of sanitation. 2月の始め頃にーーちょうど日本の女の子達が男性の想い人に好きだという気持ちを告白しようとお菓子を購入している時期ーー不二家に厳しい非難が浴びせられた。 この有名な老舗の菓子業者が、エクレアやシュークリームや他の焼き菓子の材料の消費期限をずさんに管理していたのが暴露されたのだ。 そして続いて起こった暴露の連続は一部の不二家の設備が公衆衛生においても細心の注意が払われていなかったことを明らかにした。 As its executives bowed and scraped before TV news cameras, the company announced it would suspend sales until it could get its house back in order. 幹部達がTVニュースのカメラの前でペコペコ頭を下げた時、会社は組織を立て直しできるまで営業を一時停止すると発表した。 But Fuyija s peccadilloes, reports Uramono Japan (June), were just a slightly grubby tip of a horrendously soiled iceberg. So the maverick monthly magazine taps into its sneaky sources and found Japan is host to some fantastically fetid factories festooned with food-fouling filth. しかし不二家のちょっとした過ちは、恐ろしいほど汚れた氷山の少し汚れた一角にすぎないと裏モノジャパン（6月号）は報告する。 それでこの異端な月刊誌は後ろ暗い所のある情報源と接触し、日本が食べ物で堆積した汚物で設えられた相当な数のひどく悪臭を放つ工場の本拠地であるということを発見した。 In response to a classified ad, 25-year-old Fumiya Sakura (a pseudonym), the magazine s confidential source, started work as a part-timer at a Kansai confectionery plant in the spring of 2005. His wages were a surprisingly generous 1,200 yen per hour, and he was put to work immediately after the interview. 求人広告を見て、雑誌の極秘の情報源である25歳のサクラフミヤ（匿名）は2005年の春に関西の製菓工場でパートとして働き始めた。 彼の給料は驚くほど気前がいい時給1,200円で、面接の後すぐに働き始めた。 The first thing Sakura noticed was that the work suit and cap he was given were not only grimy, but so soaked with the perspiration of the previous wearer, the smell actually caused his eyes to smart. まず最初にサクラが気づいたのは支給された制服と帽子が垢まみれだっただけでなく、以前着用していた人物の汗でベタベタで、臭いで実際彼の目がヒリヒリしたことだ。 Okay, so the plant cut corners when it came to quality control and sanitation. But it was not the film of mold on the milk, or the cobwebs around the antique boxes of butter, or even the recycling of two-week old batter to concoct cupcakes that finally got to him. No, it was even worse. そうそう、そのようにして品質管理と公衆衛生に関して言えばこの工場は手を抜いていたのだ。 しかし最終的に彼を打ちのめしたのは、牛乳に出来たカビの膜でも、バターの古い箱の周りのクモの巣でも、カップケーキを混ぜ合わすために2週間前の生地をリサイクルしたものでもなかった。 いや、それはもっとひどいものであった。 One day while on the job, Sakura asked about a large refrigerator in the pantry whose door had been sealed shut with duct tape. ある日、仕事中に、サクラは貯蔵室にある粘着テープでドアを封印された大きな冷蔵庫について尋ねた。 "Gee, I don t think anybody s opened it for a year, maybe longer," remarked a co-worker. "The boss said we should leave it alone." 「うーん、何年も、いや多分それよりも長いこと、誰も開けたことがないと思うわ。」同僚が言った。 「上が放っておけって言っとったし。」 His curiosity finally got the best of him. But on swinging open the door, Sakura let out a screech of terror, as, to the onomatopoeic sound of "Boto-boto-boto!" -- here in reference to the patter of tiny feet -- to his shock and disgust, an avalanche of what appeared to be several hundred "kuma nezumi" (Rattus rattus, aka the black rat) scurried about frantically and began rushing past him to escape into the pantry. 好奇心が最終的に勝ってしまった。 しかしドアを開けた途端、「ボトボトボト！」という、ここでは小さな足で走るという意味の擬音にショックと気分の悪さでサクラは恐怖で金切り声で叫んだ。何百匹もの「クマネズミ」らしき雪崩が慌ててちょこちょこ走り、彼の側を急いで駆け抜けて貯蔵室へ逃げ込んだ。 Some, he insists, were 20cm-long monsters. 何匹かは、20センチの大きさの化け物だったと彼は主張する。 About this time, the plant s supervisor appeared on the scene. 丁度その時、工場の管理責任者がその現場に現れた。 "Oh damn! I knew there were rats inside. We were getting ready to discard the whole thing," he told the still-shuddering Sakura. "Now look what you ve gone and done. The owner is going to have our heads for this." 「どわーー！ネズミが中におるのは知っとったわ。 全部捨てようと準備しとった所やったんやぞ。」彼は未だに恐怖で震えているサクラに言った。 「おい、なんちゅうアホなことしてくれたんや。社長にこのことでクビにされるわ。」 So they embarked on a frenzied rat hunt. The critters had mostly fled from the refrigerator into bags of ingredients stacked in the pantry. About three hours later, the roundup of rats -- the ones they could catch, anyway -- was complete, and the supervisor ordered Sakura to kill the still-live bagged rodents by crushing them under his boots. そこで彼らは取り乱してネズミ取りを始めた。 この動物はほとんど冷蔵庫から貯蔵室に摘まれた材料の袋に逃げ込んだ。 約3時間後、ネズミ狩りーー捕まえる事が出来た分だけだがーーは終わり、管理責任者はサクラにまだ生きている袋詰めのネズミをブーツで踏みつぶして殺せと命令した。 His response is to blurt, "Suimasen. Mo yamesasete moraimasu wa" (Sorry, but no way. I m calling it quits). 彼はその場で返事した。「すいません。もうやめさせてもらいますわ。」（すみませんが、無理です。辞めさせてもらいます。） Sakura is convinced the ingredients that the rats contacted during their 3-hour Great Escape were not discarded, but eventually used for making sweets, to be purchased by refined ladies at top department stores in the Kansai area. 3時間の大脱走の間にネズミが触れた材料は廃棄されず、結局菓子製造に使用され関西地方の大手デパートでお上品な女性達に購入されているとサクラは確信している。 What can one say to a situation like this, asks Uramono Japan, except perhaps "caveat emptor"? (By Masuo Kamiyama, contributing writer) 裏モノジャパンは問う、恐らく「買い物をする者が用心せよ」以外に人はこんなシチュエーションに対して何が言えるのだろうか？ （寄稿ライター、カミヤママスオによる） （Mainichi Japan） May 25, 2007 拡散状況 The Black Ship http //www.theblackship.com/forum/japan-tabloid-news/685-fetid-food-factory-requires-pied-pipers-services.html 英語サイト 部分転載：http //tousando.proboards18.com/index.cgi?board=general action=display thread=398 関連ページ The Black Ship 元記事一覧 毎日新聞英語版から配信された記事2007年(1月 - 6月)
https://w.atwiki.jp/android/pages/43.html
チュートリアル：ノートパッドエクササイズ1 本エクササイズではシンプルなノートリストを作ります。このノートリストを使ってユーザは新規ノートを追加することができますが、ノートの編集を行うことはできません。本エクササイズでは以下の事項をデモンストレートします。 ListActivities の基本、メニューオプションの作成・操作の基本 SQLite データベース内のノートへのアクセス/保存方法 ArrayAdapter （ListView にバインドするためのもっともシンプルな方法の一つ）を用いてデータを ListView にバインドする方法 リストビューの配置の仕方やアクティビティメニューへのアイテムの追加のやり方、アクティビティがアクティビティメニューアイテムをどのように扱うか、といったスクリーンレイアウトの基本 [エクササイズ1] [エクササイズ2?] [エクササイズ3?] [追加事項?] Step 1 Notepadv1 プロジェクトを開きます。 Notepadv1 は開始点として提供されるプロジェクトです - it takes care of some of the boilerplate work that you have already seen if you followed the Hello Android tutorial (すでにHello Android(もしもしアンドロイド)のチュートリアルで見ているかもしれませんが、共通する説明があります。) 2. browse ボタンを押し、あなたが本エクササイズをコピーしたフォルダを選択し、その中からNotepadv1を選んでOKを押してください。 a. Package Explorer で右クリックし、New- Project... を選択してください。 b. Android/Android Project を選択し、Next を押してください。 c. New Android Project のダイアログで、Create project from existing source(既存のソースからプロジェクトを作成)を選択してください. d. browse ボタンを押し、あなたが本エクササイズをコピーしたフォルダを選択し、その中からNotepadv1を選んでOKを押してください。 e. Project name 欄に Notepadv1、Location 欄に選択したパスが表示されることを確認してください。 f. Finish を押します。 g. 本エクササイズのプロジェクトが Eclipse の Package Explorer に開かれ準備が完了します。 h. もし AndroidManifest.xml にエラー表示が出ていたり、Android の zipファイルに関連する問題が表示された場合は、プロジェクトの上で右クリックし、ポップアップから、Android Tools- Fix Project Properties を選択してください。(プロジェクトがライブラリの場所を正しく見ていないので、この操作でそれを修復します。) Step 2 データへのアクセスと更新について このエクササイズにおいては、単にSQLiteデータベースを直接使ってデータを保存しますが、実際のアプリケーションでは正当なContentProviderを作成し、処理をカプセル化する方がずっと良いでしょう。 もし興味があれば、content provider やデータの保存/検索/表示などに関する情報をいろいろと見つけることが出来るでしょう。 DBHelper クラスを見てみてください - このクラスは、我々が作成するノートのデータを保持するとともにその更新も可能にする、SQLiteへのデータアクセスをカプセル化するために提供されています。 典型的にはContentProviderを用いることでこのクラスを実装します。そして実際、SDKには行っている完全なNotepadアプリケーションはそのようなContentProviderを実装しています。しかし、我々がこれからするように、単にSQLiteデータベースを直接利用していけない理由はありません。このクラスについて注意すべき重要なことは、それがSQLiteデータベースのデータの保存、参照、更新の詳細の面倒をみてくれるということです。全ての行を取得するメソッド、行IDに基づいて行を取得するメソッド、新しい行を作成するメソッド、既存の行を削除するメソッド、既存の行を更新するメソッドがあります。もしあなた自身のアプリケーションでSQLiteデータベースを利用する方法に関する入門を希望なら、このクラスを見てみるか、より良くは、ContentProviderの利用例として SDK の samples/ ディレクトリに入っている完全なNotepadアプリケーションを見てみてください。 Step 3 Layout と activity とについて ほとんどのActivityはそれに関連付けられたレイアウトを持っています。レイアウトはユーザに対してそのactivityの「顔」となります。今回の例では我々のレイアウトは画面全体を覆いノートの一覧を提供します。 しかし、フルスクリーンレイアウトはActivityにとっての唯一の選択肢ではありません。フローティングレイアウト(たとえばダイアログとか警告のように)が欲しいこともあるでしょうし、レイアウトを全く必要としないこともあるでしょう(使用するレイアウトを決めない場合、activityはユーザに見えなくなります)。 Open the notepad_list.xml file in res/layout and take a look at it This is a layout definition file with a default starting point in it, we have provided this as a convenience to get you going quickly. 1. All Android layout files must start with the XML header line ?xml version="1.0" encoding="utf-8"? . 2. Also, the next definition will often (but not always) be a layout definition of some kind, in this case a LinearLayout. 3. Note also that the xml namespace of Android should always be defined in the top level component or layout in the XML so that android tags can be used through the rest of the file xmlns android="http //schemas.android.com/apk/res/android" Step 4 We need to create the layout to hold our list. Add code inside of the LinearLayout tag so the whole file looks like this (you may have to hit the Source tab in order to edit the XML file) ?xml version="1.0" encoding="utf-8"? LinearLayout xmlns android="http //schemas.android.com/apk/res/android" android layout_width="wrap_content" android layout_height="wrap_content" ListView id="@id/android list" android layout_width="wrap_content" android layout_height="wrap_content"/ TextView id="@id/android empty" android layout_width="wrap_content" android layout_height="wrap_content" android text="@string/no_notes"/ /LinearLayout 1. The ListView and TextView can be thought as two alternative views, only one of which will be displayed at once. ListView will be used when there are notes to be shown, while the TextView (which has a default value of "No Notes Yet!" defined as a string resource, will be displayed if there aren t any notes to display). 2. The @ in the id strings of the ListView and TextView means that the XML parser should parse and expand the rest of the id string and use an ID resource. 3. And, the android list and android empty are IDs that are already provided for us by the Android platform, empty is used automatically when no data is provided in the list adapter. The List Adapter knows to look for these names specifically by default. Alternatively you could also choose to change the default empty view used by the List Adapter by using the setEmptyView(). More broadly, the android.R class is a set of predefined resources provided for you by the platform, while your project s R class is the set of resources your project has defined. Resources found in the android.R resource class can be used in the XML files by using the android name space prefix (as we see here). Step 5 Resources and the R class The folders under res/ in the Eclipse project are special. There is a specific structure to the folders and files under this folder. In particular, resources defined in these folders and files will have corresponding entries in the R class allowing them to be easily accessed and used from your application. Furthermore, they will be bundled and deployed as part of the application. To make a list view, we also need to define a view for each row in the list 1. Create a new file under res/layout called notes_row.xml. 2. Add the following contents (note again the xml header is used, and the first node defines the Android xml namespace) ?xml version="1.0" encoding="utf-8"? TextView id="@+id/text1" xmlns android="http //schemas.android.com/apk/res/android" android layout_width="wrap_content" android layout_height="wrap_content"/ 3. This is the view that will be used for each notes title row — it has only one text field in it. 4. In this case we create a new id called text1. The + after the @ in the id string indicates that the id should be automatically created if it does not already exist, so we are defining text1 on the fly and then using it. 5. After saving this file, open the R.java class in the project and look at it, you should see new definitions for notes_row and text1 (our new definitions) meaning we can now gain access to these from the our code. Step 6 Next, open the Notepadv1 class in the source. We are going to alter this class to become a list adapter and display our notes, and also allow us to add new notes Notepadv1 will be a subclass of Activity called a ListActivity, which has extra functionality to accommodate the kinds of things you might want to do with a list, for example displaying an arbitrary number of list items in rows on the screen, moving through the list items, and allowing them to be selected. Take a look through the existing code in Notepadv1 class. There are some constant definitions at the top, followed by a private field we will use to create numbered note titles, and some overrides of methods from the superclass. Step 7 Change the inheritance of Notepadv1 from Activity to ListActivity public class Notepadv1 extends ListActivity Note you will have to import ListActivity into the Notepadv1 class using Eclipse, ctrl-shift-O on Windows or Linux, or cmd-shift-O on the Mac (organize imports) will do this for you. Step 8 There are already three override methods defined onCreate, onCreateOptionsMenu and onOptionsItemSelected, we need to fill these out * onCreate() is called when the activity is started — it is a little like the "main" method for the activity. We use this to set up resources and state for the activity when it is running * onCreateOptionsMenu() is used to populate the menu for the activity. This is shown when the user hits the menu button, and has a list of options they can select (like "Create Note") * onOptionsItemSelected() is the other half of the menu equation, it is used to handle events generated from the menu (e.g. when the user selects the "Create Note" item). Step 9 Fill out the body of the onCreate() method. Here we will set the title for the activity (shown at the top of the screen), use the notepad_list layout we have created for the activity display contents, set up the DBHelper instance we will use to access notes data, then populate the list with the available note titles 1. call super() with the icicle parameter passed into our method 2. setContentView to R.layout.notepad_list 3. Create a new private class field called dbHelper of class DBHelper (before the onCreate method) 4. Back in the onCreate method, construct a DBHelper instance — assign to the dbHelper field (note, you must pass this into the constructor for DBHelper) 5. Finally, call a new method -fillData()- gets the data and populates it using the helper, we haven t defined it yet 6. onCreate() should now look like this @Override public void onCreate(Bundle icicle) { super.onCreate(icicle); setContentView(R.layout.notepad_list); dbHelper = new DBHelper(this); fillData(); } And remember to add the DBHelper field definition (right under the noteNumber definition) private DBHelper dbHelper; Step 10 More on menus The notepad application we are constructing only scratches the surface with menus. You can also add shortcut keys for menu items, create submenus and even add menu items to other applications!. Fill out the body of the onCreateOptionsMenu() method. We are going to add just one menu item for now, "Add Item", using a string we will create in strings.xml, and defined with a constant we will create at the top of the class to identify the Add Item operation. 1. In strings.xml resource (under res/values), add a new string for menu_insert with text "Add Item" string name="menu_insert" Add Item /string , then save the file 2. Also, you need a menu position constant at the top of the Notepadv1 class (right under the KEY_BODY definition) public static final int INSERT_ID = Menu.FIRST; 3. In the onCreateOptionsMenu() method, add the menu item. Also take care of the result of the super call being returned. The whole method should now look like this @Override public boolean onCreateOptionsMenu(Menu menu) { boolean result = super.onCreateOptionsMenu(menu); menu.add(0, INSERT_ID, R.string.menu_insert); return result; } Step 11 Fill out the body of the onOptionsItemSelected() method This is going to handle our new "Add Note" menu item. When this is selected the onOptionsItemSelected() method will be called with the item.getId() set to INSERT_ID (the constant we used to identify the menu item). We can detect this, and take the appropriate actions 1. The super.onOptionsItemSelected(item) method call goes at the end of this method — we want to catch our events first! 2. Switch statement on item.getId() 3. case INSERT_ID 4. calls new method createNote() 5. break at the end of the case 6. return the result of the superclass onOptionsItemSelected() method at the end 7. The whole onOptionsItemSelect() method should now look like this @Override public boolean onOptionsItemSelected(Item item) { switch (item.getId()) { case INSERT_ID createNote(); break; } return super.onOptionsItemSelected(item); } Step 12 Add a new createNote() method In this first version of our application, createNote() is not going to be very useful. We will simply create a new note with a title assigned to it based on a counter ("Note 1", "Note 2"...) and with an empty body. At present we have no way of editing the contents of a note, so for now we will have to be content making one with some default values 1. String noteName = "Note " + noteNumber++; (Construct the name using "Note" and the counter we have defined in the class) 2. Call dbHelper.createRow() using noteName as the title and "" for the body 3. Call fillData() method again after adding (inefficient but simple) 4. The whole createNote() method should look like this private void createNote() { String noteName = "Note " + noteNumber++; dbHelper.createRow(noteName, ""); fillData(); } Step 13 List adapters Our example uses a very simple array adapter which binds an array or list of items into a ListView. More commonly in Android, List Adapters go hand in hand with ContentProviders, and this is also a very easy way to use lists. To bind a ContentProvider to a ListView you can use a android.widget.SimpleCursorAdapter to bind data from a ContentProvider into a ListView Define the fillData() method. This is fairly long This method uses ArrayAdapter, which is the simplest way of putting data into a ListView. ArrayAdapter takes either a List or an array of Strings, and binds them into a text view provided in the layout defined for the list row (this is the text1 field in our notes_row.xml layout). The method simply obtains a list of notes from the database helper, constructs a List of Strings using the title strings from each row, and then creates an ArrayAdapter out of those items and bound to use the notes_row we defined. private void fillData() { // We need a list of strings for the list items List String items = new ArrayList String (); // Get all of the rows from the database and create the item list List Row rows = dbHelper.fetchAllRows(); for (Row row rows) { items.add(row.title); } // Now create an array adapter and set it to display using our row ArrayAdapter String notes = new ArrayAdapter String (this, R.layout.notes_row, items); setListAdapter(notes); } 1. ArrayAdapter needs a List of Strings (List String ) containing the items to display 2. The data is read out of the database as rows, and the title field from each row is used to populate the list of strings 3. We specify the notes_row view we created as the receptacle for the data 4. If you get compiler errors about classes not being found, ctrl-shift-O or (cmd-shift-O on the mac) to organize imports. Note that for this exercise we use an ArrayAdapter, this is not a very scalable solution and more typically a SimpleCursorAdapter would be used with a ContentProvider or at least a Cursor returned from a query. See the sidebar on List Adapters for more information. Step 14 Run it! 1. Right click on the Notepadv1 project 2. From the popup menu, select Run As - Android Application 3. If you see a dialog come up, select Android Launcher as the way of running the application (you can also use the link near the top of the dialog to set this as your default for the workspace, this is recommended as it will stop the plugin from asking you this every time) 4. Add new notes by hitting the menu button and selecting Add Item from the menu Solution and Next Steps You can see the solution to this class in Notepadv1Solution from the zip file to compare with your own. Once you are ready, move on to Tutorial Exercise 2 to add the ability to create, edit and delete notes. Back to the Tutorial main page...
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RESCUE ELIXZABETH GREENE GO to the GENTEK FACILITY. ENTER the GENTEK FACILITY undetected. LOCATE the GENTEK FACILITY COMMANDER within the FACILITY PRRIMETER. INFILTRATING BASES To INFILTRATE a BASE. LOCATE and CONSUME the FACILITY COMMANDER. Use his DISGUISE to ENTER the FACILITY UNDETECTED. Alex ALright, VIRAL DETECTORS VIRAL DETECTORS can see thorugh your DISGUISE. When thir light change to YELLOW, they re DETECTING you. When they go RED, they ve located you and RAISED AN ALERT. CRAW POWER UNLOCKED CONSUMING the HUNTER has given you the CRAW POWER. Each POWER has unique ATTACK, COMBOS and MOVES. Check the UPGRADES MENU on the PAUSE SCCREENE for new pgrades. Press juujiki-ue to DEACTIVATE your ATTACK POWER. EVENTS EVENT MARKER are displayed on the MINI-MAP and PAUSE SCREEN MAP. All completed EVENTS award BRONZE, SILVER or GOLD medals. Achieving GOLD in ALL unlocks PLATINUM LEVEL EVENTS. There are the most challenging EVENTS- complete these for large EP awards. New EVENTS are unlocked as you progress through the game. EVENTS are a grate way to acquire EP for purchasing new POWER, MOVES and ABILITIES.
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CHAPTER XVIII UP CHAPTER XX CHAPTER XIX A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don t see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don t think you re very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I ll warrant you it was," said Marilla emphatically. "And the next thing you ll be setting fire to the curtains with your signaling nonsense." "Oh, we re very careful, Marilla. And it s so interesting. Two flashes mean, `Are you there? Three mean `yes and four `no. Five mean, `Come over as soon as possible, because I have something important to reveal. Diana has just signaled five flashes, and I m really suffering to know what it is." "Well, you needn t suffer any longer," said Marilla sarcastically. "You can go, but you re to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana s important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana s birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you ll let me go, that is. You will, won t you, Marilla? Oh, I feel so excited." "You can calm down then, because you re not going. You re better at home in your own bed, and as for that club concert, it s all nonsense, and little girls should not be allowed to go out to such places at all." "I m sure the Debating Club is a most respectable affair," pleaded Anne. "I m not saying it isn t. But you re not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I m surprised at Mrs. Barry s letting Diana go." "But it s such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn t as if birthdays were common things, Marilla. Prissy Andrews is going to recite `Curfew Must Not Ring Tonight. That is such a good moral piece, Marilla, I m sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he s going to give an address. That will be just about the same thing as a sermon. Please, mayn t I go, Marilla?" "You heard what I said, Anne, didn t you? Take off your boots now and go to bed. It s past eight." "There s just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It s an honor you ll have to get along without. Go to bed, Anne, and don t let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly "Well now, Marilla, I think you ought to let Anne go." "I don t then," retorted Marilla. "Who s bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don t interfere then." "Well now, I ain t interfering. It ain t interfering to have your own opinion. And my opinion is that you ought to let Anne go." "You d think I ought to let Anne go to the moon if she took the notion, I ve no doubt" was Marilla s amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don t approve of this concert plan. She d go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child s disposition and what s good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly "Very well, she can go, since nothing else ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew s doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don t blame me, blame Matthew. Anne Shirley, you re dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I m a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don t make, although I might. I ll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn t know just how I felt about it, but you see Matthew did. Matthew understands me, and it s so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne s consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could not have borne it if she had not been going to the concert, for nothing else was discussed that day in school. The Avonlea Debating Club, which met fortnightly all winter, had had several smaller free entertainments; but this was to be a big affair, admission ten cents, in aid of the library. The Avonlea young people had been practicing for weeks, and all the scholars were especially interested in it by reason of older brothers and sisters who were going to take part. Everybody in school over nine years of age expected to go, except Carrie Sloane, whose father shared Marilla s opinions about small girls going out to night concerts. Carrie Sloane cried into her grammar all the afternoon and felt that life was not worth living. For Anne the real excitement began with the dismissal of school and increased therefrom in crescendo until it reached to a crash of positive ecstasy in the concert itself. They had a "perfectly elegant tea;" and then came the delicious occupation of dressing in Diana s little room upstairs. Diana did Anne s front hair in the new pompadour style and Anne tied Diana s bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement. True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana s jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it. Then Diana s cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl and sapphire brimmed with wine and fire. Tinkles of sleigh bells and distant laughter, that seemed like the mirth of wood elves, came from every quarter. "Oh, Diana," breathed Anne, squeezing Diana s mittened hand under the fur robe, "isn t it all like a beautiful dream? Do I really look the same as usual? I feel so different that it seems to me it must show in my looks." "You look awfully nice," said Diana, who having just received a compliment from one of her cousins, felt that she ought to pass it on. "You ve got the loveliest color." The program that night was a series of "thrills" for at least one listener in the audience, and, as Anne assured Diana, every succeeding thrill was thrillier than the last. When Prissy Andrews, attired in a new pink-silk waist with a string of pearls about her smooth white throat and real carnations in her hair--rumor whispered that the master had sent all the way to town for them for her--"climbed the slimy ladder, dark without one ray of light," Anne shivered in luxurious sympathy; when the choir sang "Far Above the Gentle Daisies" Anne gazed at the ceiling as if it were frescoed with angels; when Sam Sloane proceeded to explain and illustrate "How Sockery Set a Hen" Anne laughed until people sitting near her laughed too, more out of sympathy with her than with amusement at a selection that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony s oration over the dead body of Caesar in the most heartstirring tones--looking at Prissy Andrews at the end of every sentence--Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way. Only one number on the program failed to interest her. When Gilbert Blythe recited "Bingen on the Rhine" Anne picked up Rhoda Murray s library book and read it until he had finished, when she sat rigidly stiff and motionless while Diana clapped her hands until they tingled. It was eleven when they got home, sated with dissipation, but with the exceeding sweet pleasure of talking it all over still to come. Everybody seemed asleep and the house was dark and silent. Anne and Diana tiptoed into the parlor, a long narrow room out of which the spare room opened. It was pleasantly warm and dimly lighted by the embers of a fire in the grate. "Let s undress here," said Diana. "It s so nice and warm." "Hasn t it been a delightful time?" sighed Anne rapturously. "It must be splendid to get up and recite there. Do you suppose we will ever be asked to do it, Diana?" "Yes, of course, someday. They re always wanting the big scholars to recite. Gilbert Blythe does often and he s only two years older than us. Oh, Anne, how could you pretend not to listen to him? When he came to the line, "THERE S ANOTHER, not A SISTER, he looked right down at you." "Diana," said Anne with dignity, "you are my bosom friend, but I cannot allow even you to speak to me of that person. Are you ready for bed? Let s run a race and see who ll get to the bed first." The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then--something--moved beneath them, there was a gasp and a cry--and somebody said in muffled accents "Merciful goodness!" Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--WHAT was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine," said Diana, gasping with laughter. "Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It s dreadful--it s really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She s father s aunt and she lives in Charlottetown. She s awfully old--seventy anyhow--and I don t believe she was EVER a little girl. We were expecting her out for a visit, but not so soon. She s awfully prim and proper and she ll scold dreadfully about this, I know. Well, we ll have to sleep with Minnie May--and you can t think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn t disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde s on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She s feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry s temper is no joke, I can tell you that. She wouldn t speak to Diana at all." "It wasn t Diana s fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it s made a nice lot of trouble, that s what. Old Miss Barry came out to stay for a month, but she declares she won t stay another day and is going right back to town tomorrow, Sunday and all as it is. She d have gone today if they could have taken her. She had promised to pay for a quarter s music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they d like to keep on the good side of her. Of course, Mrs. Barry didn t say just that to me, but I m a pretty good judge of human nature, that s what." "I m such an unlucky girl," mourned Anne. "I m always getting into scrapes myself and getting my best friends--people I d shed my heart s blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It s because you re too heedless and impulsive, child, that s what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment s reflection." "Oh, but that s the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven t you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that s what. The proverb you need to go by is `Look before you leap --especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde s she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn t she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won t stay and I m sure I don t care. But Father and Mother do." "Why didn t you tell them it was my fault?" demanded Anne. "It s likely I d do such a thing, isn t it?" said Diana with just scorn. "I m no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I m going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you d never! why--she ll eat you alive!" "Don t frighten me any more than I am frightened," implored Anne. "I d rather walk up to a cannon s mouth. But I ve got to do it, Diana. It was my fault and I ve got to confess. I ve had practice in confessing, fortunately." "Well, she s in the room," said Diana. "You can go in if you want to. I wouldn t dare. And I don t believe you ll do a bit of good." With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I m Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I ve come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we ve apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana s heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I ve been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady s eyes by this time and was replaced by a twinkle of amused interest. But she still said severely "I don t think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don t know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you." "I don t KNOW, but I can IMAGINE," said Anne eagerly. "I m sure it must have been very disturbing. But then, there is our side of it too. Have you any imagination, Miss Barry? If you have, just put yourself in our place. We didn t know there was anybody in that bed and you nearly scared us to death. It was simply awful the way we felt. And then we couldn t sleep in the spare room after being promised. I suppose you are used to sleeping in spare rooms. But just imagine what you would feel like if you were a little orphan girl who had never had such an honor." All the snap had gone by this time. Miss Barry actually laughed--a sound which caused Diana, waiting in speechless anxiety in the kitchen outside, to give a great gasp of relief. "I m afraid my imagination is a little rusty--it s so long since I used it," she said. "I dare say your claim to sympathy is just as strong as mine. It all depends on the way we look at it. Sit down here and tell me about yourself." "I am very sorry I can t," said Anne firmly. "I would like to, because you seem like an interesting lady, and you might even be a kindred spirit although you don t look very much like it. But it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla Cuthbert is a very kind lady who has taken me to bring up properly. She is doing her best, but it is very discouraging work. You must not blame her because I jumped on the bed. But before I go I do wish you would tell me if you will forgive Diana and stay just as long as you meant to in Avonlea." "I think perhaps I will if you will come over and talk to me occasionally," said Miss Barry. That evening Miss Barry gave Diana a silver bangle bracelet and told the senior members of the household that she had unpacked her valise. "I ve made up my mind to stay simply for the sake of getting better acquainted with that Anne-girl," she said frankly. "She amuses me, and at my time of life an amusing person is a rarity." Marilla s only comment when she heard the story was, "I told you so." This was for Matthew s benefit. Miss Barry stayed her month out and over. She was a more agreeable guest than usual, for Anne kept her in good humor. They became firm friends. When Miss Barry went away she said "Remember, you Anne-girl, when you come to town you re to visit me and I ll put you in my very sparest spare-room bed to sleep." "Miss Barry was a kindred spirit, after all," Anne confided to Marilla. "You wouldn t think so to look at her, but she is. You don t find it right out at first, as in Matthew s case, but after a while you come to see it. Kindred spirits are not so scarce as I used to think. It s splendid to find out there are so many of them in the world." CHAPTER XVIII UP CHAPTER XX 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 22 55 (Tue)
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llGroundRepel llGroundRepel(float height, integer water, float tau); 機能概略 サンプル Tips 詳細な説明 History 来客数： - 選択肢 投票 役に立った (0) 役立たずだった (0) 名前 コメント
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アルミ・ステンレスに塗るには？ 塗装場所/素地との相性について よくある質問集｜アサヒペン http //www.asahipen.jp/qa/qa02.html#qa04_03
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※記入欄に回答のあったもののみ公開します。 あなたの2009年のPCニュース、もしくは思い出がありましたら、ご自由にお書きください。 男 15-19才 P55マザーボードが安いのは印象的だった 男 15-19才 スカイプで参加を悩んでいます 自分！！高校に入ってＰＣを勉強してるので、今回参加できたらＰＣの事を聞いて勉強したいですねｗｗ 男 15-19才 ようやくまともにPCを組めたこと 男 45-49才 初めまして、この配信を知ってから毎回楽しみにしています。 メインのメーカー製PCが壊れた時にニコ動の自作PC配信を見てこれなら自分も出来るのではと思い先頃自作PCを組みました。 初心者のやりそうな失敗も配信に盛り込んであり大変参考になりました、これからもオタク以外にも解り易いPC配信楽しみにしていす。 頑張って下さい。中年のどっとれでぃおファンより。 男 15-19才 やっぱりWin7の発売が大きかったです。 個人的にVista好きだったのでWin7発売は嬉しいようで残念な気もします。 今僕のPCのOSはWin7です。 自作ユーザーにとって最新のOSは新鮮(爽快)な気持ちにさせてくれます。 周りの人に俺Win7使ってるよと言って自慢もできますしね。 話変わりますが年越しの配信はスカイポを使うんですね、僕は話すの苦手なので聞き専になるかもしれんです。 たまに喋るかもしれんのでスルーしないでね凄くショック受けると思うので。 まぁ話が長くなりましたが配信凄く楽しみにしています。 若干期待もしてます。配信がんばってください。 ダウンタウンの笑ってはいけないがあったら配信見ようかダウンタウン見ようか迷います。 男 20-24才 配信聞き始めたこと 彼女が留学でカナダに行ってること 男 35-39才 セブンにしたよ。 でも、ドライバーが未対応だったり、欲しいものが未対応だったりして、困ってるけど、少しずつ解決していくのがまた楽しい。 最近はgoogle日本語入力を導入したよ。 Microsoft Security Essentialsもいいし、フリーで十分行けそう。 あと、HPの作りかけは良くないな。パソ博も中途半端。 はるとファンはしっかり見てるぞ。 女 20-24才 win 7発売！ 男 20-24才 PC詳しくないですが レッツノートと言う存在に惹かれました 男 15-19才 2009年のPCの思い出といえばCore i7とWindows7が発売されたことかな 男 35-39才 Windows7発売！ 男 20-24才 今年、初めてパソコンを自作をしました。 これが自分のパソコンの思い出です。 そのときはこちらの自作配信も参考にさせていただきました。 毎回楽しく見させてもらってます。 男 15-19才 GTX295を買ったこと 女 35-39才 Skype通話は参加したい気もしないではないが、多分出来ないと思います。 私は毎回、年越しの瞬間は家族で年越しそばを食べておりますのでｗ 最近はレスも足跡も残さずにひっそりと影から拝聴させて頂いている事がある程度ですが…orz PC関連は…仙台の妹の家に遊びに行った時、メモリを増設させた事、かなぁ～？ｗ多分ｗ 女 15-19才 今月12月にBTOマシンが届きました！ スペックは CPU Intel Core2Quad Q9400 MOTHER GIGABYTE GA-EP45-UD3LR MEMORY 4GB DDR2-SDRAM HDD HITACHI 500GB OptDrive Pioneer DVR-S17J-BK VGA GeForce GTX260 CASE Antec Nine Hundred TWO POWER Antec EarthWatts EA-650 650W OS Windows7 Home Premium 32bit 今年一番のニュースでしたｗ あとSONYのウォークマンも買いましたｗ 結構音いいですよ！ あといつも配信ご苦労さまです＾＾ 年末の配信楽しみにしてます！ それではよいお年を( ｀・∀・´)ﾉ
https://w.atwiki.jp/mmdsky/pages/45.html
塗装・リペイント講座(建造中) このページでは自作モデルの塗装および既存モデルのリペイントについて解説していきます。 使用するソフトウェア MMDに限らず、3DCGにおける塗装データ(テクスチャ)は何の変哲もない画像データ（JPG,PNG,BMPなど）です。 これを編集するわけですから、画像編集ソフトが必要となります。極端な話、Windows標準のMSペイントでも構いませんが、編集時の利便性を考えるとレイヤーが利用できるソフトを激しく推奨します。 フリーソフトであればGIMPが最もメジャーです。利用者数も多く、歴史もあるソフトなので検索すればチュートリアルや解説本が見つかると思います。もちろんPhotoshopをお持ちであれば、そちらを使って頂いて構いません。 用意しておきたい素材 資料写真 まず何にせよ、資料となる写真が必要です。モデリングと同様に、WikipediaやFlyteam、Airliners.net(英語)で検索してみると資料になる写真が見つかるでしょう。Wikipediaは日本語版だけでなく、英語版もあたってみると良いと思います。（ページ左側から他言語版にアクセスできます。）もちろん自分で撮った写真があれば、それで全く問題ありません。 書籍であれば月刊エアラインなども資料になると思います。 フォント（書体） 実際の塗装と同じ、あるいは類似したフォント（書体）をインストールしておくとリアルになります。 フライトシムのリペイントを制作なさっているSugiyasuさんによるサイト「EXhibitionEntrance」では、機体記号（機体番号）や航空会社のロゴを模したフォントが配布されています。以下はその一例です。 専用フォントでなく、一般に使われているフォントがロゴ等に採用されている例もあります。例えばANAのタグライン（キャッチコピー）「Inspiration of JAPAN」はMyriadというフォントになります。ほら、ちょっとリアルに見えるでしょう？ ロゴなどのベクターデータ テクスチャにおいて航空会社や航空機メーカーのロゴは命です。ロゴデータは自作するのが難しければ、既存のベクターデータを活用することをおすすめします。ベクターデータは、いくら拡大しても劣化せず、色なども自在に変更できるのでリペイントの素材に最適です。（もっとも、最終的なテクスチャは拡大すると劣化してしまうのですが…それでも作成途中は劣化なしというのは大きなメリットです） ▲ベクターデータの概念 ロゴのベクターデータを入手する場合、Wikipediaが最も容易だと思います。航空会社の項目を開くと、たいていの場合ロゴの画像があります。そちらからファイルのページを開いて、SVG形式のデータを保存しましょう。（PNGだと普通に画像になっちゃうので気をつけてください） 日本語版Wikipediaにない場合は英語版を漁ってみる、"○○（航空会社名英語表記） logo vector"あたりで検索してみる…などいろいろな手段を試してみましょう。どうしても見つからない場合は自作することになりますが、有名な航空会社であればネットの何処かで見つかると思います。 SVGデータはGIMPでも開けます。もしSVGデータを編集するのであれば、GIMPよりもInkscapeがオススメです。ただ、Inkscapeだけではテクスチャ作成に適しないのでGIMPと併用していくのがベストでしょう。 リペイント・テクスチャ作成にあたっての基礎知識 UVマッピング 端的にいうと、「展開図」です。小学校で習ったサイコロの展開図なんかを思い出してください。 すべての3DCGデータは、どんなに複雑であっても展開図を生成できます。（もちろん、複雑であればあるほど、サイコロのような単純な展開図とは程遠い代物になりますが）その展開図に描き込まれた画像を3DCGに貼り付けるのだと考えていただければ結構です。 ▲UVマッピングのイメージ。複雑な立体でも同様の処理が行われると考えて良い。 モデリング後、この展開図を作成する作業をUV展開とよびます。基本的にはCGソフトが勝手に展開してくれますが、人力での調整も必要になります。 リペイントする場合はモデル作者さんがUV展開図を用意していることが多いので、そちらの上に画像を描き込んでいくことになります。 リペイント このページは書きかけのページです。 [部分編集] 名前 コメント